Temple of Laughter
Program | CULTURE |
ecclesiastic entertainment space | |
Scale | 1 sqm |
Location | Santa Monica - LA - US |
Stage | Design |
Client | Church of Scientology |
Design Year | 1994 |
This architecture as art project was seen in AD, Quaderns, Tel Aviv Museum of Art and was awarded a special jury prize by Eric Own Moss, Thom Mayne and Wolf Prix. The following text was first published in AD Architecture + Water. The project removes material from an existing building and transforms it into another object and inspired the Rue de Rome refurbishment project in Paris.
Laughter is the residue from a collapsed construction be it a story or of many storeys
The joke establishes a story for it to collapse with the punch line
Laughter then is the consummation of this collapse
From a condemned structure, a floor board, one seeks to bring down the House
The object in transit is locatable but has no location
Its precinct is always the present
The object does however have a site within which it is enclosed, the Envelope, and, if appropriately wrapped, the object will be the Present
The present arrives through the post
Yet until opened it doesn’t belong anywhere or to anyone
It is an intention under wraps unseen and open only to speculation
The Envelope exposes the irony of opening
Once the ties are cut the site is tied to a precinct
Being of the floor in NW5 and on a flaw in LA
As required the object is double wrapped
The Envelope doubles as a poster advertising a competition, which is a Double
The Temple of Laughter competition is held in England and due April Fool’s Day
As in Dostoevsky’s double, THE END UP collapses notions of the authentic and the impostor
Each entry received for THE END UP is an echo of another competition
The sound of this echo is laughter
The entry submission hinges on the competition requirements and their subsequent collapse
The competition envelope describes a 12”x12”x12” model and a 36”x36” drawing.
Anything beyond the Envelope is outside the site boundaries
The model is able to collapse into a drawing
One finds it preferable then to build a drawing than to draw a building.
Any Temple of Laughter is thus rendered laughable
The model comprises of 26 boxes, one for each letter of the alphabet so that each letter is assigned a Letter Box
A missing 27th central box is reserved for the grammatical period, the full stop
When connected these letters make words and ultimately comprise sentences
Such as those found in competition rules, adhered to the letter and worshipped like shrines
Without a period a story becomes an interminable sentence.
A life sentence where one man.s laughter is another manslaughter